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Submitted by Shiao-Ping on January 22, 2010 - 8:24am Gérard Rubaud MicheI dedicate my Gérard Rubaud Miche to MC. (I wish that it could be transported across the Pacific Ocean to reach the other shore.)
It was one of those soulful Van Morrison nights. The music in my tea room could not be any louder; any louder, the gods of silent teapots would have protested. John Donne was in the air. Van Morrison, my muse, dreamt of this miche for me....
I have neglected my teapots for the longest time now. They have not been polished for ... dare I reveal ... a year? Sounds criminal. Just as well, with all that flour coming out of the surface of the miche, do I need to bother dusting my teapot stands?
Gérard Rubaud starter (re-sized to 2% of his formula as recounted HERE in MC's blog; my figures are for a final dough yield of 1.9 kg, you are welcome to half my quantity again) First build
Note: Gérard Rubaud's starter hydration averages 55.5%. The main thrust of his starter is three refreshes and built with the same flour compositions as for his final dough; ie. 30% whole grains flours (60% wheat, 30% spelt, and 10% rye) and 70% all-purpose flour. At 30 degree C, this build took 10 1/2 hours for me (overnight temperature might have dropped to 24 - 25 degree C in my kitchen). Second build
At 30 degree C, this build took 6 hours for me.. Third build
Note: Watch your starter fermentation carefully, depending on your room temperatures. As flour (fresh food) is not even 1.5 times the starter, it is very easy to over-ferment at this stage. It was not an issue for the previous two builds as the yeast adjusted to the new flour compositions and began its activity slowly. At 30 degree C, this build took 4 hours for me (and it was already too long because when I touched my starter, it shrank back very quickly; 3 1/2 hours would have been better). It rose 2 1/2 times. Gérard Rubaud Final Dough Main points about the final dough construction are (1) final dough flour is 30% whole grain flours and 70% all-purpose flour as for starter; (2) starter is 25% of final dough flour (ie, 25% baker's percentage); and (3) overall dough hydration is 80%.
Total dough weight was 1,920 grams (minus 150 g as pâte fermentée = 1,770 g, see below) and overall dough hydration was 80%. Note: (1) I did double my own formula here (both starter and final dough) because I wanted to do a stencil with Gérard Rubaud initials and I wasn't sure if it would be successful. (2) I reserved 150 grams from each dough and I had 300 grams as pâte fermentée (old dough) in total from the two doughs. I wanted to try a Poilâne style of miche. Giovanni has done extensive research on Poilâne Miche. Without going into the specifics, all that I wanted to do at this stage was to use Gérard Rubaud's stiff starter and dough with the addition of a reserved old dough to make a miche and see what happens, which I did. (3) So, in total I made three x my own formula here at two separate occasions, the last being a Gérard Rubaud Miche with pâte fermentée. Procedure - without pâte fermentée Gérard Rubaud autolyse flour and water, then he cuts up his stiff levain into small pieces and adds them to the autolysed flour and water mixture. However, the way I did the bread in this post was that I first diluted my starter with water, then I added flour and salt into the diluted starter, then I followed the procedure below.
Gérard Rubaud Miche (without pâte fermentée)
Only one of the two miches that I made is shown here, as the stencil of the other one was completely smeared. The proved dough of that one was quite high (its profile was like a tall hill); when I placed the stencil on its surface and dusted flour on it, the flour did not sit well on the surface. I knew there might be problem but went ahead any way. I should have tried to press the stencil closer to the surface of the dough before I dusted flour. Notwithstanding the above, the aroma was most amazing when the miche was being baked. When the oven door opened, the whole house was filled with the wonderful whole grains roasting fragrance. The loaves cooled down to have the cracks all over their surface - the top and all around the sides. Part of the reason for that is because these are very high hydration doughs, but more because I tend NOT to leave my dough in the oven with the oven turned off for the last 5 - 10 minutes of baking as many of TFL home bakers do. I tend to give my dough full but shorter bake. The extreme difference in temperatures inside and outside the oven results in the crackling effect on the crusts.
With this Gérard Rubaud formula, I am witnessing the most amazing crumb that I have never seen before. It has a translucent quality about it. It is almost as if each and every particle of the flour had been fermented and each and every cell of the dough has been aerated. I have never seen anything quite like it. It is light and yet a slice of it on you palm feels a weight, a substance. While the crumb looks translucent, it has a sheen as if it is oily (but it is not). You can clearly see the specks of the whole grain flours in the crumb. Had I not made this bread myself, I would not have believed that 30% whole grain flours would give me a crumb like this. So that is the texture. What about the flavor? I cannot tell you any single flavor. No one taste stands out. I cannot say that it is sour because sourness does not stand out. The taste is very "creamy" if I may use that word. The creaminess and the sourness are beautifully balanced. MC said of her Rustic Batard that it tastes more whole grains than Gérard's and she wondered if temperature had made a difference as Gérard's bakery is a good 15 degree F warmer than her place. Now, my miche does NOT taste whole grains or wheaty at all. I cannot single out a wheaty taste, but it is there, blended in with all the other flavors. I wonder if my high temperature indeed had made a difference in this. Or, put another way, had MC bulk fermented and proved her Rustic Batard in a proofing box to control temperatures, would she have gotten a closer taste in her Rustic Batard to Gérard's.
Procedure - with pâte fermentée (Note: the formula is exactly the same as above except with the inclusion of 300 grams of pâte fermentée) Follow the procedure as for miche without pâte fermentée except for the following:
Gérard Rubaud Miche (with pâte fermentée)
I learned something in this bake: that sourdough pâte fermentée will give you extra dough strength because of the acidity in the old dough (provided it is not over-fermented to start with). I am amazed at the volume that I get in this miche. (Let's recap: this dough went through 2 1/2 hours of fermentation at room temperature of 30 degree C, then went into the refrigerator for 9 hour retardation, then baked at 230 C for 1 hour. That's all.) The taste of this miche is a lot sourer than the previous miche.
This has been a very fulfilling exercise for me. Thank you, MC, for the wonderful experience.
Shiao-Ping
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As usual your description...
As usual your description is poetic...and with Van the man playing...could it get any better! It sounds like a real winner...This is going to be my first bread I experiment with when I get my new starter going in France, ala Gérard Rubaud! I think it will appropriate to take it back to it's birth place. Thank you Shiao-Ping and Mc for the new insights...
Judd
The countdown has begun....
Yesterday I took my son to the orthodontist for his routine visit. The orthodontist announced that my son could have his braces off next visit in 3 1/2 weeks' time. When we got into the car, my son told me he needed to know his next visit in terms of days (rather than weeks), so I gave him the appointment card for him to work it out himself. For the past 18 months, he has not played his trumpet (because notes would not come out right, he said). Sometimes you don't exactly know the effect of certain things on kids. So, the happy countdown has begun for him....
Today, I dropped Andrew at the ferry. He will spend the weekend with his best mate's family on an island - the last little holiday before the school begins. So, I am home alone without the kids. I knew this coming and had been planning in my mind what I would like to do for this special home-aloneness. In the end I decided what I most wanted is an unrestrained Van Morrison-ness like in my old graduate school days in dormitory studying, except that this time it would be Debra Wink's "Lactic Acid Fermentation in Sourdough" that I will be studying (haha). So my countdown has also (happily) begun...
Shiao-Ping
p.s. Thank you, Giovanni, for sending Debra's link to me.
Just flour, water, salt and
Just flour, water, salt and passion. I hope you are closer to the "full-colored rainbow" sourdough.
Giovanni
Full-colored rainbow - flavour
Giovanni,
That is most descriptive.
Shiao-Ping
Gorgeous breads,Shiao-Ping!
I don't understand your explanation of how the crackled crust is achieved. i would think that it would be harder to achieve with a high-hydration dough. There is more internal moisture that would migrate to the crust during cooling.
Are you saying that a higher baking temperature is the key?
David
I am saying the sudden temperature difference inside and outside
... the oven (when the baked loaf first came out) is the key. And, it is better that the difference is great (if you want crackling crust). When you turn off the oven for the last 5 - 10 minutes of the bake to "dry off" the dough, the temperature difference when this loaf comes out of the oven would be less. When there is an extreme difference, the heat inside the loaf escapes into the open in a much greater force and results in cracks. That is what I think what happened to my loaves this time. In this post, I made three bakes, all done in 230 degree C throughout the baking time (without temperature graduating down) and these are 80% hydration doughs as you know. The cracks I got is not just in one spot of the crust; they are all over the entire surface of the three loaves!! Frankly, I am surprised myself. I didn't set out to get crackles; it really just happened that way because of the way the loaves are baked and cool down. This is the best I can do in explaining but I really can't be sure if this is correct.
You are right that there is more moisture that would migrate to the crust during cooling in a high-hydration dough. And perhaps that helps in the crackled crust?! The reason I said that is because I think the moisture inside the dough retains more heat than otherwise. I am speaking from my own experience that I have had more crackled crusts when my doughs were higher hydrations.
To me, the heat difference as mentioned above, coupled with a high-hydration dough, result in crackled crust. But I really don't know for sure. I am only going by my own experience.
Temperature change and crackles
Thanks for the clarification, Shiao-Ping.
I'm sure you are correct about the temperature change, but for the crust to crack, it must also be dry.
The cracks occur because the crust is contracting faster than the interior. If it were not dry, it would be more elastic and could shrink without cracking. So, the effect of leaving the loaf in the cooling oven helps dry the crust, even though it reduces the temperature differential the loaf experiences when you take it out of the oven. Hmmmm ... Perhaps baking at a higher temperature does dry the crust enough, and you get the synergistic effect of dry crust plus temperature drop.
I'm interested in your finding more crackling in breads with high hydration doughs. I've always found the opposite. Moisture migrating to the crust during cooling should soften it and, thus, inhibit cracking ... unless the crust is already so hard it is impervious to the moisture.
You have certainly provided food for thought. I'm going to be baking a couple boules of San Francisco Sourdough from AB&P today. Suas' formula makes a wetter dough than most for SF SD. I'll try it "your way."
Addendum: I baked two 1 lb boules of SF SD. I pre-heated the oven to 500ºF. Baked with steam for 10 min. and dry for another 15 min. I set the oven 25ºF hotter than recommended (475 vs. 450ºF) and baked for 10 minutes less. I moved the bread to the cooling rack without any extra time in the turned off oven.
The loaves were darker than standard. One loaf did have a few crackles (little baby ones). The other did not. FWIW, these loaves sang for an extra-long time, although not as loud as sometimes.
I think this technique question is worth exploring further. Does the size of the loaf matter? I've gotten crackles on miches and on baguettes, so probably not. Does dough hydration really matter? My hypothesis is that it does not, until you get to some very high level of hydration (80%?), where crackling is inhibited. Is the sudden change in temperature really the most important variable? Maybe. If it is, than transferring a loaf directly from the oven to the refrigerator ought to generate crackles like crazy. I'll try it when my wife won't be home, I think.
David
Cooling your loaf in the fridge?
Hi David
I am getting a bit confused now. So I am going to examine what you said word by word very carefully -
Firstly, you said "The cracks occur because the crust is contracting faster than the interior." Now, I would ask what gives or makes it contract? To me, this is the key.
Secondly, you said, "...the effect of leaving the loaf in the cooling oven helps dry the crust." Now, I would say that, if the oven is not turned off and is still full on, the crust is even drier. Wouldn't you agree?
Next, you said, "Moisture migrating to the crust during cooling should soften it and, thus, inhibit cracking ... unless the crust is already so hard [meaning, dry] it is impervious to the moisture." I agree. This tells me moisture or otherwise is not so much an issue. The issue is whether or not the loaf temperature is high (more below).
"Does the size of the loaf matter?" To me, it does. I have had more crackled crusts in bigger loaves than small ones. Why is that? My crackled crusts always come with crunchiness too. Why is that? I observed that in a bigger loaf there is more self-generated moisture in the oven. It is baked longer, coupled with more absolute moisture (some of which is turned into steam before it evaporates in the oven), resulting in more absolute internal heat that needs to be evacuated in a cooling rack when the loaf comes out of the oven.
You said, "...very high level of hydration (80%?), where crackling is inhibited." The thing is, with my three Gerard Rubaud miches (one two were shown in the post), all have crackles all-over the crusts, top and sides all round - and these are 80% hydration! They are large loaves too! Two were 1.77 kg each and the last one was 1.92 kg!
"Is the sudden change in temperature really the most important variable [as Shiao-Ping claims it is]?" Well, I should add, not just change in any temperature, because when we take our loaf out of the oven, there is the change in temperature straight away. It is (A) how much internal heat mass of the loaf that is escaping outwards, together with (B) how hard and dry the surface of the loaf is, that gives the crackled crust, I think.
Do I talk gibberish? I want you to know I do like your idea of cooling your loaf directly from the oven to the refrigerator. Ha!
Shiao-Ping
Not gibberish at all, but ...
Hi, Shiao-Ping.
I appreciate your critical thinking. My response to your very good questions follows:
I believe I misstated here. It is the crumb that is contracting faster than the crust causing the cracks. I assume that the contraction is from cooling causing the carbon dioxide and water vapor in the crumb to exert less pressure - the reverse of what causes oven spring during baking.
A larger loaf will also be baked for a longer time and will tend to have an absolutely thicker crust, even though there is relatively less crust than crumb compared to a small loaf. Simple geometry. Geometry also determines that the absolute amount of contraction will be greater in a larger loaf. Interesting! Yet, the most crackly crust of all is in baguettes. Hmmmm ....
Okay. Maybe the threshold for crackling inhibition is 81% hydration. ;-) Seriously, I suppose that, if the crust is dry and hard enough, the dough hydration doesn't matter.
I'm not clear on what "internal heat mass of the loaf ... escaping outward" means. From my understanding at the moment, the absolute change in temperature (reflected in the amount of contraction of the crumb) in the presence of a rigid (hard, dry) crust causes the crackles. The speed of contraction, which would relate to the oven-room temperature differential, may not be so important.
Hmmm ... I need a physics consultation! Mr. Boyle? Are you there?
David
SOS, young physicists in
SOS, young physicists in Belgium (and Paris)!!
yes, high temps are a must.
unless the crust is already so hard it is impervious to the moisture.
That's the key for me, David. I have had great success with crackling on long (>90-120 minutes), high (>230 celsius) bakes with (as Shiao-Ping mentions) larger loaves. I have also personally found that (usually overnight) retardation helps me get crackle.
My crazy baker theory about this is because it increases the simple sugars on the surface of the loaf, the temperature is high enough to caramelise them a lot, caramels is brittle of course and thus when coupled with the rapid cooling, it affects cracking. I have no science or knowledge to bake this up; it's purely crazy baker theory!
Very, very nice looking loaves
Great stuff. Wish I had some here to eat with my soup.
--Dan DiMuzio
Thank you, Mr DiMuzio
For some of my breads I really need to psyche myself and feel motivated and inspired before I proceed, and once they're done, I don't feel like ever doing them again.
Thank you.
Shiao-Ping
That's a wonderfull bread
I wass thinking of skiping baking bread tommorow but after reading your post I think I might as well get my starter ready for baking. Thanks for sharing this wonedrfull bread, and the stencill is lovely, I'm afraid to even atempt something like that.
Stencils are a lot of fun.
Stencils are a lot of fun.
Curious about your stenciling technique
Your loaves are beautiful. True works of art.
What technique do you use to apply the stencil? Do you brush the loaf with water first—or at least the section where the stencil is being applied. I've tried in the past, but my stencil either sticks to the bread, or the design is not nearly as sharp and defined as yours in the photo.
Are you using rice flour for the design, or regular bread flour?
Stencil
I did not brush my loaf with water before dusting flour on the stencil design. I find that the flour sticks to the surface of the loaf quite well. I used regular bread flour. Rice flour won't be good, as it is too loose and dry, when you move your loaf, the rice flour may move.
For how I did the stenciling for this loaf, see here.
Wow!
That's edible art.
Thank you. How do you go with
Thank you.
How do you go with your starter? Do you refresh it twice these days before you use it?
Shiao-Ping
Gorgeous!
Your loaves are just gorgeous all around. I love the crackle. I've never had any luck getting a crackled crust by leaving the loaf to rest in a vented oven and I was happy to hear that you say the temperature change does have an effect. In the beginning of my baking I had felt that the temperature change when the bread came out of the oven was what made the crust crackle...I think sometimes first impressions tell me a lot. Thank you for the very nicely written formula.
Sylvia
The nicely written levain formula
Thanks, Sylvia. Once the numbers were worked out, it was easier to proceed. I find the formula for the three levain builds very helpful for other bakes too. If you keep it handy (just use the amounts and you don't have to restrict yourself to Gerard's flour compositions), you've got yourself a good schedule for building a healthy levain in preparation for a final dough or any dough.
And about the crackled crust, it sounds like our experiences are the same.
Shiao-Ping
van morrison
i agree i call van morrison my sunday morning laid back time
Van Morrison
And it can be a teenagers' music too. My daughter, 17, loves it and tells me she listens to it before bed or when she needs to calm down. Funny that, his music would do the opposite to me.
My high-school classmate from my hometown in Taiwan is married to a European and has lived in Europe for over 25 years. Her husband recently told me that, in the sixties during the many, many student parties, they had one song Gloria (which is Van Morrison's all time hit) was "top of the bill, why ? The law students community, named Sofia, were singing that song at least a couple of times a night. Gloria became SOFIA. That's the reason Van Morrison became immortal in our city (Antwerp) and greater environment." I was surprised to learn that; Sofia reminds me of Jostein Gaarder's Sophie's World.
Further to your comments
Further to your comments Shiao-Ping, I've been using the GR builds and his flour compositions for other breads, such as your 'house miche'. Works very well and I fancy his flour combo adds something to the flavour of the bread, regardless of the recipe. Also, his starter seems to produce great spring...or perhaps it's just that - as you suggested elsewhere - the lower hydration starters harbour more yeast, which adds more muscle to the rise.
Ross,
Do you have big, really big, stainless steel mixing bowl? I have one that is 30 cm in diametre. If you have one, use it to cover your loaf for the first 20, or even 30 minutes of baking, and see how much oven spring you get. You would be amazed. If you use this method, you need no steaming no lava stone.
Thanks for the tip, Shiao-Ping!
I don't have a stainless steel bowl that big, but after that recommendation, I'm sure gonna get one!
Beautiful miches...
...Shiao-Ping, and a very moving post! It is the first time ever that a bread has been dedicated to me and, coming from you, it is a great honor. Thank you from the bottom of my heart and thank you for being you + a great baker! What a winning combination...
I'll be sure to show your gorgeous miches to GR when I next see him. He'll be very touched.
Taste-wise, I don't think I would have gotten the same aromas as GR if I had proofed my dough at a warmer temperature. I have been reading a lot about aromas these past few days: so many factors come into play that it is truly impossible to reproduce anybody's "signature". But that's fine, isn't it? It makes the bread world so much more interesting.
I just made Pavés au levain using a beautiful (almost golden) hi-extraction flour from an old mill in Québec, no freshly milled flours and my own (not GR's) liquid starter (fed 3 times with 60% AP and 40% same hi-extraction flour). The pavés' flavor is deliciously aromatic and complex. I do think the ingredients we use play an enormous role in the final taste.
The credit goes to you.
Thank you, too, MC.
What is Pavés au levain? 60% AP and 40% hi-extraction flour sounds like a lovely combination. By the way, have you ever found out what the protein % is in KAF's all-purpose flour? The plain flour I used in this post is Australian Laucke's Wallaby bread flour with 11.8% protein which I know is slightly on the high side, but I have not yet tested out other lower protein flours.
Shiao-Ping
Pavés au levain...
...will be the subject of my next post on Farine (maybe tomorrow if I get a chance). Knowing you and your tastebuds, I think you'll love it. :-)
From the label, w the protein level in KA's AP flour is 11.7% but when I asked customer service, I was told it was an approximation. See here for more flour info.
KA AP protein level...
...is supposedly controlled +- 0.2%. General Mills seems to hold their conventional (non-organic) flours to within a 0.3% spec. Organic flours are all over the place (for example, the spec for GM's organic bread flour is +- 1%), and KA claims some other brands of conventional flours are, too.
All the spec sheets are available on KA's web site. GM does that too, it's one of the nicer things about them. Information on other brands can be harder to come by, particularly the tolerances. Anyway, the KA AP should be about as consistent a flour as you can get.
Actually...
...I have heard from two respected bakers, Didier Rosada and Gérard Rubaud, that KA flour can vary a lot from one bag to the next, at least under the Sir Galahad label which, I believe, is the all-purpose sold to homebakers, the reason being that KA isn't a milling company and actually combines flours from different millers.
I have asked Jeff Hamelman directly about that and he said that all the incoming flours are tested, etc. in order to produce a consistent product but I guess, not all bakers agree that the goal is necessarily achieved.
A piece of Art
Shiao Ping - your baking is a piece of art....they turned out so beautifully....
Hello, Jenny, welcome!
Hello, Jenny, welcome!
What can I say?
WOW, crust and crumb spectacular.
Do you draw and cut your own stencils? If so, what type of paper do you use? Is it stiff, like card stock..or flexible like paper? and cut with an Exacto?
Betty
Microsoft Word for stencil
I used Microsoft Word for choosing a calligraphy style I like. The particular style in this post is Palace Script MT. I like Edwardian Script, but it is impossible as a stencil without altering the style.
I printed it out on a piece of A4 copy paper and enlarged certain strokes so they are more dramatic. Then I placed this on top of a piece of harder paper (from my drawing paper book, which is quite hard but not stiff like card stock). For a large stencil, a harder paper is necessary or the flour on it will bend certain parts of it and won't keep the stencil shape integrity. I cut it using a very small pair of scissors I have for sewing. I've got all sewing gadgets from the old days. What is Exacto? Someting for sewing?
I've said it once before in another post that the way the stamp (or stencil) shows up can be ying or yang. In a Chinese stamp (chop), the red ink is the medium (in our stencil, flour is the medium). When the character shows up in red ink, it is yang; when the surrounding area shows up, it is ying. In the case of my stencil in this post, it is yang. I had thought about doing it in a ying way, but the whole surface of the dough would be covered in flour so as to show up the stencil; I didn't think it would be attractive that way. Yang is harder to cut out. In a Chinese chop, a yang chop is normally more expensive than a ying chop.
Yin and Yang
I do appreciate the definition of Yin & Yang. I always thought that I understood it and now I see it more clearly. Like positive and negative in black and white photography?
An Exacto is a razor tool. It looks somewhat like a pencil with a pointed razor.
One of these days when I find extra time (ha-ha) I will try making and using a stencil. It makes the difference between special and extraordinary.
Betty
oh, a pencil with a pointed razor...
Betty, your pictures did not show up, but I think I have something that matches your description of "Exacto." I have a couple of sets of Chinese chop-carving tools. The tools look exactly like your description of Exacto. I have completely forgotten about them. After I bought them some years back, I lost interest in them and moved on to something else and that's why I forgot about them. In fact, they would make excellent tools for cutting out stencils. Scissors are in fact not ideal. Thank you for telling me about Exacto.
Fabulous Post
Shiao-Ping,
This is your best work yet. Very nice job with this reconstruction.
It sounds like you preferred the first loaves without the pate fermente as they were less sour. I think I liked the crumb structure a little better. Does the finished bread carry a deep and unique aroma?
Are you keeping the starter at 5 hour feeding intervals? The hyper active starter activity certainly reduces the ferment time. Quite interesting indeed.
Eric
Does the finished bread carry a deep and unique aroma?
My best work yet? I think so too (because of the stencil). I love the calligraphy effect of the stencil.
I had a slice of the miche with the pate fermente this morning with my son, and surprisingly it was not sour compared to the day before. The sourness seems to have mellowed or blended in with the other flavours, resulting in an even more rounded taste from yesterday. This is strange. Don't most sourdough breads get more sour as the days go by? I am experiencing new things with this Gerard Rubaud miche. I did say in my post that the miche with the pate fermente is more sour than the one without, but on an absolutely term, both are not what I would call sour.
Does the finished bread carry a deep and unique aroma? I did say that the whole grains roasting fragrance (in the absence of a better description) filled the whole house when the bread came out of the oven, right? That moment was a most beautiful experience for me, seeing the stencil like an emboss on the bread and smelling the bread fragrance at once. Oh, I have to tell you a story here (and Mini Oven, if you are out there, you would enjoy this story). In the Chinese late Ch'ing Dynasty (before it was overthrown and the Republic came into being), people were very poor (still are today with a few glaring exceptions). There was a gourmet who is a beggar (who incidentally is the writer himself, but the name escapes me now). He bought a Da-bin, a Northern Chinese dry bread that is shaped like a thick pancake but much larger. He was very hungry and would kill for a few slices of stewed beef to eat with his Da-bin. But he only had enough money left to buy one stalk of spring onion. So, he went and sat in front of a restaurant where beautiful stewed pork and beef were being served. He took a bite of his Da-bin, then a bite of his green spring onion, then a good sniff at the aroma streaming out of the restaurant, then chewed the two ingredients (in this mouth) with the aroma (in his nose), and what he got was a wonderful meal (in his head)! I don't know why this story came to my mind. Perhaps the reason is there is a similarity how I bake and how that beggar ate his Da-bin - using our imagination. My enjoyment is not solely on the physical level. So, to answer your question - does the finished bread carry a deep and unique aroma? To me, it does but maybe in reality it doesn't. Sorry, this is a bad answer.
No way I am feeding my starter 5 hourly.
Shiao-Ping
Beautiful
That's the only word I have. Just "beautiful"! Al
Al the trainer,
Thank you.
How could anyone possibly
How could anyone possibly make a loaf of bread possessed with such beauty? Wow.
Jeff
You could.
Is the issue bread with such beauty or the beauty itself?
Shiao-Ping, You quite
Shiao-Ping,
You quite obviously have a natural gift for transferring the beauty you see to the loaf you bake and you do it in splendid fashion. This does not even touch on the fact that you compose and produce equally beautiful photographs.
Simply wonderful,
Jeff
Those look fantastic!
I have had the fortune of trying Gerard's extraodinary Pain de Tradition - he delivers Wednesday and Sunday at 2pm to City Market in Burlington (VT), and some are so passionate about his bread that they know exactly through which door the staff appears with the loaves before they're placed on the stand for sale. It's quite the sight.
The fragrance and appearance of the crumb, as you have mentioned, is unlike any other. Your miche are astounding and I love the look of the cracks. Bravo, Shiao-Ping!
- Jackie
Burlington, Vermont
Oh my gosh, Jackie, I had forgotten that you live in Burlington, Vermont!
Jackie, would you be so kind to take a few pictures of Gerard Rubaud's breads at the City Market for us? Either Wednesday or Sunday's market would do us great. No pressure, just when you get time from your busy lab. hours, Please, Please?
Shiao-Ping
Gerard Rubaud's bread,
Gerard Rubaud's bread, purchased from the local co-op (City Market, Burlington, VT)
In the bag
Back of the bag
Crumb
Crumb (close up shot)
Oh my gosh
That is beautiful crumb. Jackie thank you soooo... much for that. I couldn't read the back of the bag "Breads of Tradition," so I blew it up but still can't read. What does it say? Any more info. than what's in MC's meet-the-baker story here? And thank you so much for taking so many photos; they are all very good.
Shiao-Ping
Sorry about that - was trying
Sorry about that - was trying to keep the photo size small to fit the page.
* * *
Breads of Tradition
Inside this bag you will find a hand-shaped, 3-grain sourdough bread made from nothing more than spelt, wheat, rye, sea salt and well water. Because Gerard's breads are made with organic "levain" (starter), they have a deeper flavor and go stale less quickly than yeast-risen breads. The loaves are baked in a traditional woodfired brick oven early each morning and sold that very day.
3 Grain Country Loaf. The best way to store Gerard's Country Loaf, once you've cut a few slices, is to stand the loaf on a wooden cutting surface, cut side down, with a paper bag loosely covering the loaf. It will remain fresh for 2 days. Storing the bread in plastic will keep it fresh for a week, but the crust will lose its distinct character. For longer keeping, Gerard's Bread freezes beautifully. Freeze the loaf (or 1/2 loaf) in a plastic bag. To serve, remove the bread from the plastic and let it sit out for 1 hour (1/2 hour for 1/2 loaf). Then heat the loaf in a hot oven (450F-475F) for 7 minutes (4 min. for 1/2 loaf). This second "baking" actually improves the taste of the bread. Reheated bread is best enjoyed within 24 hours.
Flatbread. The ideal way to enjoy Gerard's Flatbread is after heating for 4 to 6 minutes in a hot oven (450F-475F). The flatbread is made with a bit of olive oil and Parmesan cheese and can be served plain to accompany a main course, garnished with a few pizza-like toppings to make a meal, or split in half horizontally for sandwiches. Whatever your taste, if you don't plan to eat the flatbread within a day, please wrap it in a plastic bag and freeze it. You'll find that it freezes perfectly. To serve, remove the plastic, let the flatbread defrost for 15 minutes and then heat it for 4 to 6 minutes in a very hot oven (450F-475F).
Jackie, that is very good of
Jackie, that is very good of you. Now we are all on the same page. THANK YOU.
Shiao-Ping
You're most welcome! - Jackie
You're most welcome!
- Jackie
Beautiful Miches - question about WW
Beautiful breads. I've been following Rubaud-related bread posts with much interest.
I have a question about the WW flour component of the levain and final doughs. Did you use a white wheat or red wheat flour? I'm curious because the crumb pictures look remarkably white (no discernible brown coloured bran flecks). I know the whole grain component is only 30% but even at that percentage I've never achieved such a light-coloured crumb. I"m wondering whether white wheat might account for the flavour difference between your miche and MC's?
Also, one other question: did you use freshy milled flour (a la Rubaud?) Asking, because I'm keen to try my hand at milling sometime soon.
Cheers
FP
My whole grain flours are NOT freshly ground.
You said you don't see bran flecks in my pictures, but can you see those flecks in MC's Rustic Batard crumb shot HERE? When I look at my crumb shots, while I don't exactly see big flecks, I know the bread was not made out of all white flour because the color is a very pale brown (or orange).
Is it red whole wheat or white whole wheat that I used? Look at the pictures below:
Whole wheat flour that I used
Spelt wholemeal flour that I used
I would suggest that the high hydration in this dough had turned the "flecks" into mush and that the flecks had disintegrated and become homogenous with the fine flour. What I am suggesting is the flecks would not keep their shapes under the high hydration. Look at the oat bran pictured below:
I once used it to make non-gluten bread, and there was no flecks whatsoever in the end result. Have a look at the crumb shots of my Miche Pointe-à-Callière which was a high hydration dough (84%) and had 86%! whole wheat flour (the same flour as in the first picture above). You will not find any flecks in them either. Search TFL for 100% whole wheat bread, chances are that the crumbs are dark color but you won't find flecks in them. What would hold their shapes are seeds and whole grains but not flecks.
About the color, I think the lighting at the time of photo shooting makes a big difference. I have had the same crumb with the photos taken in the morning and in the late afternoon that look like they are from two different breads. Crumb shots taken at our various home "studios" really cannot be compared seriously. But yeah, maybe my flour is white whole wheat, what do you think? I have always thought that this flour that I used is a red whole wheat because I have another whole meal flour which is finer ground and does not have big flecks like this one. But now you made me think twice.
About milling, it would be a good idea to mill your own flours at home. I would like to do it myself too, just for the fun of it.
Maybe the milling
Thanks for the clarification. I wondered about the white wheat only because I've heard so much about it recently here at TFL. My guess:- unless the flour packaging specifically says 'white wheat', then it's red wheat - the darker bran flakes in the photos of your flour would suggest this to be the case.
That leaves me wondering what could be the cause of the colouration in my baking? Even a 20% whole grain addition in my breads turns everything a distinct brown/grey. Perhaps, as you suggest - it has something to do with the milling. I know the bran can be quite coarse in the whole wheat flour I use (stoneground).
But anyway, I guess it's just aesthetics. It's the flavour that counts at the end of the day.
Thanks again,
FP
red whole wheat?
Are you saying from the photo of my whole wheat flour, it looks red wheat to you? I am confused myself; very often bakers would comment that my whole wheat loaves look light in color. Then I read in Australia majority of wheat is white wheat, I immediately thought it meant the whole wheat flour I used is from white wheat. But now you are indicating it is red wheat? Does it look similar to red whole wheat flour over your way?
I am sure you are right that the colouration of your bread is due to how your flour is milled. Also, we really don't know in absolute terms how dark or not dark other breads made with the same flour compositions look. This is because all our photography is differnt, a minute difference in lighting makes a whole lot of difference. Even if all photography is done in idential circumstances, there is still the issue of judgement. You know a Chinese jade is priced on the vivid green color, but do you think you can tell this green from that green? You have to have a very well trained eye. There are people who do this, solely this, for a living.
Shiao-Ping
I was only guessing. It may
I was only guessing. It may well be white wheat - I am not familiar with australian flour. I was simply referring to how your whole wheat flour looked similar (not identical) to the whole wheat flour I'm used to seeing here in the UK. You are right though, it's almost impossible to do a comparison of photos without the same lighting - and even then to an untrained eye difficult to ascertain.
A picture of the whole wheat flour I'm using. Sorry I didn't get a better closeup.
FP
Notwithstanding what
Notwithstanding what rossnroller said about colors, my whole wheat does look like your whole wheat. I am happy to have the chance of seeing what your flour looks like. Thanks for showing me the photo. It is a great help.
FP
Have a look at Jackie's Gerard Rubaud pain de tradition crumb shot here. That is the color of my crumb. Also note that you barely see any flecks in his crumb (and he milled his own whole grains!).
Shiao-Ping
Thanks
Thanks - and thank you Jackie for the pics.
FP
A technical note on colour
On the issue of the colour of the bread as depicted in the pictures you posted, Shiao-Ping, another factor that needs to be considered that is probably as significant as the lighting when you took the shots (if not more so), is that colours are rendered differently on different monitors! Not only do different brands of monitors show up colours differently, but people's monitor settings vary enormously - which greatly affects colours. These are things that many people do not know, or take into account - indeed, the only reason I know is that I was seriously into Tshirt design for a while, and inhabited forums on which a lot of graphic designers posted. They were always making this point.
Also, I have a Sony Trinitron CRT monitor that is known for its wonderfully accurate colour rendition. A side-by-side comparison of, say, a website as it appears on my LCD monitor with the same website on the Sony Trinitron makes the point dramatically - believe me! - that the average LCD monitor is nowhere near as accurate in its colour rendition as a quality CRT. Only high end pro LCD monitors professionally calibrated come close to the accuracy of colour rendition on high quality CRT monitors like the Trinitrons...and most of us have monitors made for the mass market. A colour-accurate pro LCD monitor starts at around $2K+ (from memory).
Back to bread. What beautiful looking loaves - especially the first one. That crumb looks spectacularly gorgeous, and this combined with your account of the aroma has me determined to try this one NEXT.
The respect you have for Rubaud is graciously expressed in this bread and in your write-up.
Cheers
Ross
rossnroller, that is a very good point...
... thank you for bringing it up. So, we are browsing on the same web page but what we all see may well be different. How interesting. If I may expand on that point and say, we may be making the same bread by using the same formula, but our end results may well be different. There are so many variables (and that is why any time someone tells me their bread is great using my formula I just think it is magic that my formula works for them! Sorry, let me rephrase it - I meant any time someone tells me their bread is great using my formual I think they are their own creator, not me, and that their bread is their baby, I have very little to do with it.)
Your bread is "Singing in the Rain"
I know this is a contrary opinion but I think the cracking is caused by the crumb. Yes you need a dry hard crust for cracking to occur. When the loaf is removed from the oven, it is at the peak of it's height. It is puffed up by the last minute expansion of yeast and of course the energy released by the conversion of water to steam as the hot stone does its work on the bottom. The crust becomes a pressure chamber of sorts. Were it not for the rigid nature of the crust, even where the cuts have allowed expansion, I'm sure our breads would be even larger.
So when the bread is removed from the hot oven, the moisture in the crumb is no longer being steamed by the high heat all around it, and begins to contract. Since the crumb is connected to the crust by an elaborate web of gluten strands, the contracting crumb structure, gripping the crunchy crust, pulls the crust inward creating the cracks on the surface. Shiao-Pings baking method seems to me to encourage this cracking since the shock of a greater temperature change would be greatest.
There is no doubt that Davids method of leaving the bread to dry down after baking helps to create a crust that will not become soft in 30 minutes. Especially given his lower baking temps in general. There is much moisture in the center of a crunchy crusted loaf that will migrate outwards. Try leaving a freshly removed loaf on a sheet of parchment instead of a wire rack and observe the wet paper after a few minutes. There is a lot of water making the trip to the outside.
Anyway, this is my theory. The lack of better science on the subject allows me to be delusional about cracking but it makes sense to me.
Eric
I love it!
THANKS, Eric!
I don't think we need any more physicists to help explaining the phenomena (unless David still thinks so).
Shiao-Ping
Wanted: No more physicists.
Actually, as you can see from my reply waaaaaay above, on further reflection, I came to the same conclusion as Eric.
So, since this is a participatory democracy, let's vote on it! (Don't need no stinkin' scientists with their so-called "data!" We got consensus!) ;-)
David (Making fresh pasta today. No bread, crackly or otherwise.)
That's how we got Global Warming all reved up!
Consensus.
Nothing worse for science than when everybody agrees on what they thought the other guy said.
Eric
Stretch and fold maneuver
Shiao-Ping;
I have been awed by your beautiful breads- you truly have the gift! Could you elaborate on your stretch and fold maneuvers? I am curious what you mean when you refer to 5 sets of stretch and folds of 30 strokes each? Is this just a modified kneading technique? I have always thought of the stretch and fold maneuvers as a 1 or 2 folds and then back into the fermenting bowl.
Okay, I see where you are coming from...
Normally when you use a mixing/kneading machine to make your bread, the dough will have been mixed/kneaded for 2 to 4 minutes or whatever it is required by your formula. I don't use a bread machine. The way I do is to "hydrate" the formula flour with the formula water (no kneading), then autolyse 20 - 60 minutes, then I start my first set of stretch and folds in the mixing bowl of 30 odd strokes. (My mixing bowl is also my fermenting bowl.) One stroke is like one letter fold. You grab one corner of the dough from the bottom, pull it up (about 10 - 15 cm high) and fold the dough onto itself. This is one stroke. Then repeat at a different corner of the dough. You rotate the bowl as you go until you have done all corners of the dough perhaps 3 - 4 rounds (30 strokes or so).
Absolutely amazing! Once
Absolutely amazing!
Once the BBA Challenge is over, I'll attack this miche - my favorite bread in the world!
I'm so excited to try to make
I'm so excited to try to make your bread this weekend. I'm glad you clarified the stretch and fold question. I also thought S&F was a 1-2 time deal. About the autolyse... I've always just done autolyse with the flour and water but without the starter and salt. Is this also how you do this bread. It's not real clear. You do see you need the water to liquify the starter so I guess the starter has to go in during the autolyse period?
I dilute the starter with water first, then add flour and water
Sorry it was not clear, there is more info here. There is no problem if you want to autolyse flour and water, THEN add starter and salt.
crust and crumb
Hi Shiao-Ping,
What fantastic bread, and a great story which I picked up from MC's blog.
I don't have the exact reference to hand, but I know Prof. Calvel discusses cracking in the crust surface in "La Gout du Pain". He didn't really like it, but I think it is the sign of a bread of exceptional crust quality, and many bakers from all walks would agree. I am really happy if my breads come out with this characteristic.
Around the same time as you were baking the tribute to Gerard Rubaud, I was making pains de campagne loaves here. Picture below shows a similar translucent quality to the crumb; one of the finest sights to behold in bread and one I only associate with genuine "artisan" bread.
Really good to read both the comments on here, and those on MC's piece about M. Rubaud.
Best wishes
Andy
The cracks and the translucent crumb
Hi Andy,
Thank you for your comment. I know the French do not like blisters on crusts because blisters happen normally after the dough had been retarded and the French think the flour would lose its delicate flavor of fermentation after cold-retardation. I sort of have an idea that they don't like cracks on the crust but I can't figure out why because the French love the crunchy crust as much as we do. Is it that they don't like the aesthetics part of the cracks or is there more fundamental reason behind?
Re: the translucent crumb. I tried to think back on the few occasions when I got the translucent crumb. They seem to have occurred when my levain was at its best and when I was not hurrying through the dough process (that the dough temperature was low so a long and slow fermentation was feasible). In the case of this GR Miche, the room temperature was high, so I did very short bulk and finished off the proofing in the cold fridge. What was your experience? What do you identify was the factor (or factors) behind your "artisan" crumb?
With regards,
Shiao-Ping
p.s. Would love a bigger picture (if available) to have a closer look at a great crumb!
Calvel on crust "scaling"
Hi Shiao-Ping,
see pp76-77 of Calvel's work "The Taste of Bread".
He states it is indicative of over-mixing, resulting in hyperoxidation; commercially revealing excess use of additive. Clearly not the case for your GR loaf.
Anyway, yes, it is clearly due to "a violent thermal shock". Calvel suggests the problem is that it leads to the crust flaking off in transportation, prior to retail.
Most of what he says clearly does not apply as over-mixing and high additive levels are clearly not relevant to either your GR loaf, or, any dough that I would mix at home.
I'm at work!! I will pass on a bigger photo later.
Regarding blisters from cold retarding: it is definitely an aesthetics thing; the French don't see it as attractive. Calvel has only a colour plate illustrating this as "well received in North America. In France, bubbles are considered a defect."
Personally, of greater importance is making sure the cold dough surface does not form a leathery skin; this is unpleasant in the mouth when baked, but bubbles is surely just an aesthetic thing?
Best wihes
Andy
Translucent Crumb
Hi Shiao-Ping, 2nd part of the reply:
"Artisan" Bread, to me, is something that has been created using the skill of the baker's hands, mind and soul. It also means one person can take control of the whole process and exercise professional judgement to act and adjust as necessary, at any stage in the making of the bread. There are many people on this site who can rightly claim this prized status; I am sure you are one.
Remember, I live in the north of England and it is mid winter right now. My wife and I both long for the hot climate of Crete, where we always spend our Summer Holidays. We love where we live, but the hot weather is a million miles away right now. That means it's sooo hot in Australia!!
Yes, I think the condition of the levain is vital. In the end, sufficient hydration of the dough is fundamental. Not that I get too hung up on this, and I agree with Jeffrey Hamelman about "super-hydration" not being the panacea to cure all breadmaking evils. I used a strong white flour to make the bread photographed above. Protein is quoted at 13.2%; I use a very similar flour type commercially at work, in College, milled by the same Co. Their analysis suggests hydration of 60%. I add water at between 63 and 65% max for this type of bread. Pizza dough is just over 70% and Ciabatta I get upto 85%!! BUT, this flour is strong and it can take that.
In the end, if the flour is of a lesser spec, then all other factors have to be just spot on: leaven, final dough quality, temperatures, hydration, baking conditions; the whole lot. Not easy; the bread pictured above had hydration of 65%. The leaven was built over just 2 days from my 100g stock kept in the fridge, with 2 refreshments in that time. Pre-fermented flour was around 33% of total flour. I generally ferment the final leaven overnight in the fridge. The dough was made with cool water, giving a finished temperature around 22*C. I generally mix by hand for 20 minutes. I used autolyse for this particular dough, and just a little olive oil on the hands during mixing to condition the dough. Bulk proof of 2 hours max. Once the dough has been scaled, shaped and placed in bannetons, I cover with plastic sheeting and leave in front of our hot stove [no more than 30*C]. Final proof will be around 3 hours. I know this is not perfect, but it works how I want, and is very popular at home; my wife is pretty much yeast intolerant [saccharomyces cerevisiae], so any sourdough is welcome...paradise for me!
One definitely fatal flaw in achieving such a fine crumb: overproof. Spent dough has to be the pits! I think having the confidence to work with a cold dough, knowing the balance of fermentables is spot on; that there is a viable yeast count and a balance of lactic and acetic acids is so crucial. From there, as a home baker in particular, how good is the baking system devised for the oven? Can you bake quickly enough, without burning the top?
I'm sure you said you use a pizza stone to bake on. So, although you have a fan oven, your baking method involves a cosiderable amount of conduction!! I agree with David about fan ovens drying out the baking bread...I have a fan oven; I pre-heat the oven for over an hour and I set my oven right up to 240*C before setting any bread on top of the 3 bricks I bake on. I have an old roasting pot on the floor of the oven, filled with large pebbles. I pour boiling water onto these as I set the bread for a source of steam. this delays crust formation. I then drop the oven temperature about 15 minutes into bakng to prevent excessive top heat.
In the end I don't think there is a single answer, but taking control and using all the above really helps to achieve the desired ends.
What's your next project? I am working with my students on Monday to produce a range of traditional breads using a biga and a poolish and a range of local flour from organic wheat grown and milled just 15 miles away from our College. It's now the weekend, but this seems like an exciting start to my week!
Best wishes
Andy
taking control
Hi Andy
Your crumb has like a pale peach-color mother of pearl sheen to it, most beautiful. To achieve a crumb like that would be a dream for me. Thank you for sharing with us the photo.
You talked about cold dough. That is definitely not something that I feel comfortable handling. In fact that is an interesting concept for me. Debra Wink talked about starters maintained cool which "get less sour and rise quite well between refreshments" in her monumental piece on Lactic Acid Fermentation in Sourdough a year ago. If you ferment your final leaven overnight in the fridge, is it a liquid leaven? If your fermented flour is 33% of total flour, is your leaven 100% of final dough flour? I have found a range of leaven baker's percentages that work, ranging from as low as 4.8 - 5% to as high as 250%! As you said, it is a matter of "taking control" of the dough process, "the whole lot." There is not just one scenario that can work, any scenario can potentially work. We the baker are the captain.
My next project? I will be experimenting on bold and gutsy baking, on pastry flour, and on a combination of flours (3% rye, 7% WW and the rest white). Did your bread above use a small percentage of wholemeal or rye or any other flour?
Can you please show us more of your sourdough baking in your blog when you get a chance.
Thank you and regards,
Shiao-Ping
leaven information, etc
Hi Shiao-Ping,
The bread in the photo is made with all white flour. The original portion of levain used for the build did have some wholegrain in it, but I am not sure what. I suspect it was Dark Rye flour. There is a small yellow speck in the lower portion of the crumb, and I suspect this is a fleck of bran from that original sour.!
I found Gerard Rubaud's method of starting out a new levain more frequently very strange. It runs counter to everything I have heard before. I know that sourcing sour dough from an old and time-honoured source can give a great marketing story, but the main factor surely is that the strains of wild yeast have been given time to develop and strengthen. I don't really like making starters from scratch unless I have to. I would sooner use an old leaven and refresh it until I thought it was robust enough to work with. Obviously I would not like to use a sour which has "gone off"...there is no worse smell in the world than a putrid rye sour. I once spent Christmas Day trying to rescue enough rye sour to rebuild stock for the New Year bake. We had 10 bins approx 1.5m cubed, and I needed just one bin refreshed to kickstart the whole 10. But every bin I looked in was rank...it's the worst Christmas I ever had.
I just love what Hamelman has to say on pp352 under the heading Sourdough and Alchemy; it really says it all.
In respect of the leavens I use, I nearly always work as follows:
For wheat I use a STIFF leaven, which would be 100 of white flour and 60 of water. when completely built If I used a small portion of wholemeal in this I may increase the water by a fraction. If it was all wholemeal, I would up the water to nearer 70. This is based on the French Leaven we used to make literally hundreds of "miche-style" loaves everyday. For Rye I have already given you the proportions. They are nothing like Hamelman's. I have never used stiff rye sour cultures. I love the concept of the Detmolder and building the culture so precisely, and I relate absolutely to the purpose of this; ie the creation of balance between lactic and acetic acids and viable wild yeast count, as discussed in the reply I gave to Hansjoakim. But a liquid Rye sour with an 18 hour ferment works for me, so that is what I use. I have a plan to do the Detmolder soon, and will keep you posted on that!
To be honest, when I bake at home, I need a full day to make the final dough, prove it and do the baking. It's my day off, and I get up 05:30 through the week, so I don't want to get up at 04:00 to make my leaven. Late evening refreshment, followed by overnight refrigeration works fine.
Regarding proportion of pre-fermented flour, I would say anything from 10 to 50%. Your suggestion of 4-5% would be fine, but a long period of bulk fermentation would then be necessary. If that's the case, I have to ask myself what is the point of any preferment. Even at 10% bulk ferment would have to be 2 hours. One of the benefits of a pre-ferment to me is that it reduces the bulk ferment time; for that reason I like to aim for 25% pre-fermented flour. Again, it also depends on the leaven used; how sour is it? If it is only 4 hours old and is built on 3 refreshments at 4 hour intervals, then there is a serious acid defficiency and the dough will need heaps of bulk fermentation time; but if the leaven is based on a single refreshment of an old mother sitting in the fridge week after week, then the final dough will not cope with any bulk at all.
I agree wholeheartedly, and my wife and I think it is a wonderful phrase: "we the baker are captain". It's a great place to be too
Best wishes
Andy
Hamelman vs. Jean LeFleur
Hi Andy
Thank you for your detailed reply. Hamelman's Sourdough & Alchemy is indeed a beautiful read. You list Daniel Leader's Local Breads as one of your favourite baking books. On page 133, answering to the first question under Frequently Asked Questions About Levain and Pain au Levain, Leader said, "Jean LeFleur, the master baker who taught Basil Kamir the essentials of levain, used to throw away his sourdough and start anew several times a year." Leader said that Jean LeFleur didn't like a starter that was too old, believing that "it was too sour and not powerful enough to raise the kind of light, sweet bread he favored." If my memory serves me right, from what MC said, Gerard Rubaud's view is that the levain might have picked up some unwanted bacteria and is no longer "pure" to make "the kind of light, sweet bread" that the French love! Well, we might beg to differ on that. And, what a difference between Hamelman's and Jean LeFleur's views, two Master Bakers.
Thank you once again.
Shiao-Ping
see my blog
Hi Shiao-Ping,
I have updated my Blog and put lots of detail on there in relation to ur discussions including Hans.
Hope this is the sort of thing you wanted me to put on the blog
Best wishes
Andy
If Jean was pitching the starter
and starting over. I can only conclude that whatever he was doing to maintain his starter was the problem, not the starter itself. The starter was only reacting to the situation it was existing in. I think we sometimes get set in our ways. We think we do one thing but do another. If his solution is to start over and it is the easiest for him, then fine, but I think there might be a better solution found in just understanding the starter better and how his handling changed the starter to a "too sour" culture.
Translucent crumb seems to show up more with longer "wet time" of the dough. Long autolyse, preferments, retarding, slow fermentation, etc. Don't you find that so?
Mini
We can never be sure of what
We can never be sure of what exactly was the case. However, the interesting thing is that, once a master baker, or any baker, forms that view and passes down his craft, followers down the century will do it his master's way even though circumstances have changed; e.g., better sanitary standards, better science and understanding of how things work together, etc.
The very first time that I noticed a translucent crumb that I made was from a San Francisco style of bread.
Shiao-Ping
I find the crackling of the
I find the crackling of the crust to be visually appealing and I love the phrase "violent thermal shock". It is so much the antithesis of all the gentle handling that goes on in creating beautiful bread.
I have decided to add "VTS" to my vocabulary and see what I can do to bring it about in my breads.
Jeff
Gerard Rubaud Levain
Shiao-Ping,
I wonder if you could tell us about the process for creating the levain?
I'm on my second attempt at birthing a new levain but I have a feeling that it's not going to work out. I know that Rubaud uses freshly milled flour - but I simply don't have the tools for that at the moment.
I guess I could convert some of my 100% hydration starter to a stiffer levain - but I worry i would be missing something of Rubaud's process and ultimately flavour...or maybe not?
Any insights you have, would be most appreciated.
Many Thanks
FP
Gerard's levain
Hi FP
I did not do a Gerard levain from the start. I am too impatient for that. I converted my usual starter for my GR Miche. What I did was once my usual white starter was ripe and ready to be used (which meant two refreshes out of the refrigerator, or one or none for you if you use yours frequently), I then started the 3 build process.
I would not recommend anyone to do a Gerard levain from the start just for this Miche until they've used their own starter (as above). The reason is, look at how small the seed starter that is required - only 6 grams for the first build for a final dough yield of 1,920 grams!! A percentage of 0.3%! You think you would notice the difference, whether the bread is made from a genuine Gerard levain or not? I sure wouldn't be able to.
What I think would make a big difference, on the other hand, in terms of flavour is the freshly ground whole grains flours. Think about it - it is 30%, and the impact is straight away! I don't have the tool to grind whole grains as yet so I opted for the ready and easy solution. I was not going to let that stop me from making the bread.
That said, it would be a good learning exercise to culture a levain the Gerard way. I don't know if I would be ever keen to try though. You are perhaps more a purist than I am.
Shiao-Ping
Miche @ Shiao-Ping and FP
First, Shiao-Ping, a truly marvellous bake! I'm positive monsieur Rubaud will approve of your fabulous results!
I have a question for both you and FP regarding the sourdough builds. I've also experimented with using different flours and builds in my sourdoughs before mixing the final dough, including multiple steps and mixing part of the whole-grain flour into the sourdough. To be honest, with my flour, my formulas and my starter, I can't tell a difference in the final loaf whether the starter is propagated over several steps or whether the flour combination I feed the starter is changed. There are smaller differences in fermentation times (e.g. more whole-grain in the starter feedings increase fermentation activity and shorten ripening times), but I've not been able to single out flavour differences or noticeable, reproduceable differences in the crumb.
Do you have any thoughts on the logic behind the multiple steps involved in Gerard's formula, and whether these actually make the resulting bread any different from say a one-step build?
Levain and multiple builds
hansjoakim, that's an excellent question.
I am glad that someone finally brought up this issue. I am not experienced enough in sourdough baking to give any real insight. When we use starter we have two purposes we try to achieve, among other things - flavour and leavening power. All that I can say about the multiple steps in building the levain towards a final dough is that in the very least the levain will be in very healthy condition and that its leavening power will be in no doubt. As for flavour, the subject of your query, what I can say is: when the levain is in very healthy condition, for sure it can do a better job in fermenting the flour and giving off that alcohol and acids that we so look for.
From your question I gather that your starter must be in top-notch condition such that one build is good enough for you. I can never be sure of that. I often cut corners and I know when I am serious about a particular bake I will need multiple builds to bring my starter up to speed. The very first time I became aware of this was when I read about Chad Robertson's special two-hour levain expansion before he uses his levain to build his final dough. Also, we know that most master bakers stress that starter to be ripe and ready before we use it, which means at least two refreshes.
Over and beyond the above, I really can't say that a levain that is built over many steps gives me more distinctive flavour in the final product. My taste buds are never that delicate anyway.
You brought up a very interesting topic and I know, for one, I will be coming back to revisit this issue over and over again.
Thank you.
Multiple builds @ Shiao-Ping
Thanks for your reply, Shiao-Ping!
I've been thinking a little more about this today, and I think there might be a connection between your feeding schedule and the yeast activity in the sourdough.
The growth of lactobacilli is very sensitive to the pH of a sourdough. Maximum growth rates of desirable lactobacilli are found when the pH is around 5.0 in the starter - this kind of pH level is achieved when the starter:flour feeding ratio is 5% - 20%, i.e. a high degree of dilution at each feeding. The pH drops as the lactobacilli generate acetic and lactic acids; acid production continue until the pH hits 3.6 - 3.8.
Now, since whole-grain flours have higher buffering capacity than white flour, more acids can be generated before the pH is lowered towards 3.6 - 3.8.
Going back to the feeding schedule you outline above, the starter:flour feeding ratio is much higher. This lower degree of dilution at each feeding keeps the pH low at each step in the sourdough build. We know that lactobacilli doesn't like the low pH. Yeasts, on the other hand, don't like high acid concentrations, but they don't mind low pH values. So it seems to me that Rubaud's feeding schedule is designed to encourage yeast growth over lactobacilli. It's perhaps not very different from Italian levains; these are stiff levains fed according to a 2:1:2 (starter:water:flour) ratio. This is mixed and fermented four hours before a new refreshment is made. This extremely low dilution then yields a levain that has terrific leavening capacities and a very mild flavour (since, apart from certain acid-tolerant strains, the lactobacilli are rather inactive).
Now... whether our tastebuds can figure out the difference is another matter, right?
creating a balance of viable yeasts and acids
For Hansjoakim and Shiao-Ping.
You have a really interesting discussion going on here, and I hope you don't mind if I join in?
I agree entirely with Hans' comments about lactobacillus in relation to pH values.
However, in relation to building the leaven, I think you need to look at time factors for the refreshment schedule to really see what is going. The first refreshment is left for a comparatively long time. I feel that is to give the somewhat dormant wild yeasts plenty of time to come back to life. Yes, the pH will be relatively low again, just prior to refreshment... but the 2nd and 3rd builds have relatively short fermentation periods. This will mean the now re-juvenated wild yeasts will really make hay as the pH is now higher. Here, I am confused by what Hans says about yeasts not liking high acid concentration, but not minding low pH ..surely the 2 are the same; low pH means high acid concentration yes?
To my mind, the first refreshment helps to retain some element of acid, but the 2nd and 3rd give the yeasts more chance to thrive. It's not like Hamelman's Detmolder, and it is not a regime I've tried before. As I say, I don't get too hung up on exact feeding regimes. If you find something that works, then stick with it.
For all that we are talking symbiosis of lactic and acetic acids, and viable count of wild yeasts. It is not an easy balance to achieve, so all the knowledge and understanding we can share can only be of help and inspiration to all of us on the quest to make the best bread.
Best wishes
Andy
balance
Hi Andy, I didn't realize you have replied when I made my comment to hansjoakim above. Thank you for joining in. You mentioned not to get too hung up on feeding regimes, I guess a feeding "regime", like a recipe or formula, is there only as a guideline. Also, you have mentioned about finding the balance between yeasts and acids a few times now. The way I look at a levain feeding (and so, fermenting) regime is that it helps towards finding that eventual balance in the final dough, the other important part being the final dough fermentation (ie, the ultimate feeding for our yeasts and LAB's). There are so many variables as you mentioned and that's why it never is a fixed thing and that's why the need is there for us to be overseeing the whole process and made adjustments along the way while allowing things to happen on their own accord. A long time ago I read on TFL about the process being a rhythm or having its own rhythm. For aspiring home baker it is always a challenge to find that balance; some body else's balance may not be our balance, and on top of that we may not have the right knowledge and experience as our tools and at our disposal when we are feeling our way through building a framework towards finding our own "balance." A continued discussion on TFL is most appreciated.
Thank you and regards,
Shiao-Ping
Yeast and acid
Hi Andy,
And thanks for your comments! I'm glad you joined in!
First, regarding the question of high acid concentrations implying low pH: I believe this is related to the flour's buffering capacity. From what I understand, the flour's buffering capacity increases with its extraction rate (or perhaps its ash content; either way, ash and extraction are related). If the flour has high buffering capacity, higher concentrations of acid can be produced before the pH starts dropping. That's (as far as I understand) the reason why starters mixed with whole-grain flour produce more tangy flavour in the final loaf; the lactobacilli in the starter produce higher concentrations of lactic and acetic acids before the pH drops to 3.6 - 3.8, the region where lactobacilli stop producing acids. In Rubaud's levain there is mainly white flour, so I think this implies that rather low concentrations of acids are produced before the pH drops. This means that lactobacilli growth is inhibited rather quickly (low pH), but yeast growth continues (low concentration of acetic acid).
My over-simplified picture of the fermentation process, is that the lactobacilli are very sensitive to the pH, while yeasts are very sensitive to the concentration of acetic acids. I think it's also stated either in the sourdough FAQ or in "The Bread Builders" by Dan Wing and Alan Scott, that lactobacilli are more sensitive to salt than what yeast is. I noticed that Rubaud uses a pinch of salt in his levain builds; this slows down lactobacilli more than it does the yeast.
Although there's still plenty of room for lactobacilli growth, it seems to me that Rubaud's levain definitely promotes yeast growth over lactobacilli.
More yeast count in stiff levain
hansjoakim,
Before I read Debra Wink's Lactic Acid Fermentation in Sourdough, I had a rudimentary idea that since yeast comes with flour, not water, if I made a stiffer levain, I should get more yeast count, and therefore better leavening with my dough. My plan worked well until I strained my right wrist (again) a couple of months back, stirring a large quantity of very stiff starter with one hand. When I look back now, it is really unnecessary to be keeping a large quantity of starter supply in the fridge - in fact, totally unnecessary for the home baking. Unless you want a whole lot of dead yeasts in your starter sitting in the fridge, as do many German bakers, purely for flavour sake, not leavening capability of the starter - otherwise, a very small quantity of starter, stiff or liquid, is sufficient for our home use.
You said that lactobacilli don't like low pH and that yeasts don't like high acid concentration, but to me low pH equals high acid! You did say that yeasts don't mind low pH and that they thrive better in that environment than lactobacilli.
I agree with you that Rubaud's feeding schedule seems to encourage yeast growth over lactobacilli. That's precisely how I've found with my GR Miche - every cell seems to have been aerated; there was the vestige of yeast fermentation in every single cell that you are left with a very translucent crumb.
I have just gone over your original question to me:
You found your own answer in your reply above and that is, in GR's 3-build levain, there is more yeast count vs. lactobacilli, and the result is that there is more leavening happening while the acidity is being controlled at a level palatable to the French taste. Do you think this makes sense?
To your last question,
Yes, I think so (but that was not the issue).
Thank you for your very imformative discussion. It is very revealing of what goes on behind a traditional formula.
Shiao-Ping
Thank you for the additional info
Yes when I looked at the figures again for % levain in final dough it is a very small amount indeed. I may have been overly worried about that aspect of it.
However, good news is that my Rubaud levain came to life sometime this morning (although I didn't catch it until this afternoon). I'm going to carefully nurture it, hopefully to reach full strength by Sunday.
Cheers,
FP
Stunning! I bow in your
Stunning!
I bow in your general direction!
Jeremy (Lazy baker)
Lazy baker
You disguise yourself really well. I thought you were one of those Russian spies with beautiful virtual faces who always comment on mariana-aga's beautiful blog. (How I love those virtual faces.) Even after MC replied to you by addressing you Jeremy, I still didn't get it.
Your "Crumb, the perfect holes!" are indeed perfect!
Thanks, Shiao-Ping
Question re. your method @ Shiao-Ping.
Hi, Shiao-Ping.
I am inspired by your gorgeous miches and am going to be making Rubaud's bread tomorrow. I am not clear on one element of your method though.
You say:
Does this mean you first dissolve the starter in the final dough water, then add the flours (and salt?), mix and "autolyse?" Or do you add the salt and levain to the dough after the autolyse?
Thanks! I'm eagerly anticipating this bread and am trying to stick as close to your method as I can.
David
Completely dilute starter first, then add flour and salt.
Sorry about the fusion. I meant that I first diluted my starter with all of the formula water (I documented this part of the procedure in my Light Rye & Light Wholewheat Rustic Pain au Levain post on Sourdough Companion (see section under Method). My purpose was so that the starter is evenly disbursed in the final dough. But on second thought, I don't think I should have said "With my method, it is important bla bla bla..." because as long as your starter is very well mixed into the final dough, there should not be any problem with your method. I don't think there is anything so special about this part of my method. What it does is it makes hand mixing really easy for me.
Also, I never mentioned that my baking temperatures are convection oven temperatures. Some baking instructions say that convection oven temperature is 20 degree C higher than a non-convection oven temperature. (For instance, in Australia, whenever I read baking or heating instruction, if it says, bake at 180 degree C, it would also say 160 degree C if using convection oven.) With Andy's comment on the cracking crust being a case of a "violent thermal shock," I am wondering if the fact that I always bake at 20 degree C higher than I actually said I did made any difference at all.
Thanks, Shiao-Ping!
I didn't find what MC or Gérard do. Since I will do the initial mixing by machine, I will probably do an autolyse à la Calvel and incorporate the levain after the autolyse.
Thanks for the information about your using convection bake. It's not just the higher temperature. The blowing air may also accelerate the crust drying, don't you think?
David
I am sure you are right.
I am sure you are right.
David...Don't do what I did with a miche...
and use too much of the formula's water for the levain...It made a real mess!
Hi CaptainB Judd
What do you mean? - not to use all formula water in the levain? Or, not to use all formula water, full stop, because the hyrdation is too high? It is okay to drop a couple of percentage of hydration (ie, 20 - 22 grams for my formula here) and still call it a GR miche. I asked MC exactly what GR's dough hydration was and she said he normally aims for 80%, but it can be as low as 78 - 79%.
It might be interesting to experiment on a much lower hydration, eg. 67 - 69%, with GR's flour compositions.
I think...
I did not really understand your methodology totally...Usually an autolyse is done without the addition of the levain and salt. The first time I made the Pointe-a-Calliere I diluted the levain with too much of the water and did not have enough for a good mix for the autolyse....so it was a mess tiring to incorporate the levain into the very dry dough(oops). This past mix worked out fine...I just used enough to make a thick slurry and added it to the autolyse. Since I like using the mixer to fully incorporate the ingredients...i will just put the bowl in the proofer to keep it warm and after an hour... add the cut up levain and salt to the mix on low speed like I usually do....and then proceed with the S+Fs.
autolyse - the right way
I see. I wasn't clear with my method. Actually the way I did it was wrong. The way you did it was the right way, and the way how GR did it. I remember too well seeing him (in MC's short video) cutting up the stiff levain and putting the small pieces into the mixer. I had completely forgotten about that. My apology for the confusion. (I will amend my post.)
Thank you.
no need to change it...
It is just another way ...To me it just means that the beasties get a chance to eat sooner...I don't know if it affects the autolyse of not...You can tell by your beautiful bake... it worked just fine for you!
Judd
stenciling
Shiao-Ping - could you give detailed directions as to how you did the stenciling on your loafs? Looks very impressive!
Thanks - Rick
Stencil
The instruction is HERE.
There is sme more information below:
Hi Shiao-Ping, stencil
I've been following along and enjoying the blog.
I was looking at the stencil and noticed you taped in the loops. Did you ever consider sewing or using thread to hold them? A few simple stiches would hold them quite well (two threads for each) and the lines don't show up because they're so thin.
Made it to Korea.... Now to wake up my starter, it looks so incredibly clean!
Mini
Hi Shiao-Ping, Just getting
Hi Shiao-Ping,
Just getting my oven on for a version of your adaptation of GR MIche, will tell you what happens later, stay tuned.....
Jeremy
I am staying tuned.... is it
I am staying tuned.... is it 8 am where you are?
me too...
me too...
My 1st Attempt
Inspired by this recipe from the dough goddess Shiao-Ping and from Capt'Batard's post, I have just baked my 1st 3 build Gérard Rubaud (mini) Miche, but will keep you in suspense with the pics of how it turned out. It's now quite late in the UK so it's one for brekkie (I feel a egg sarnie coming on....). I halved the recipe as a kiloish miche is a bit on the large side for the two us and baked it in my nice big cast iron casserole .......cheers, Steve
Hi Steve
Thanks for your comment. You certainly know how to keep us in suspense. I normally wouldn't be able to wait. I notice you have Paul as one of your favourite bakeries in London. There is a very posh looking Paul open in Taipei a couple of years back. (You can see it listed on their website.) Friends advised me not to go there as their breads and pastries are expensive. I finally went there a few months ago when I was back in Taipei and tried half a dozen varieties of their breads and pastries. I love the dining experience there.
Results....Gerard Rubaud Mini Miche
Hi Shiao-Ping, Well, not quite as impressive as your professional results, the slightly "ragged" edges are due to my baking in a cast iron pot on baking parchment and as I had a busier day than expected I did not do as many S&F's as required (the dough spent a large part of the day in a cool kitchen) However, i'm looking fwd to frying so eggs to pop between a couple of slices very soon!. As said earlier I roughly halved the recipe and the final product weighed in at 800g exactly. Re the Paul bakeries, i've just checked their website and we have 22 in London!, I like to think they are reassuringly expensive though probably fair for the quality (have'nt been to one for a while) Also, a couple of years ago we had a nice long weekend in Antwerp and the B&B owner used to deliver fresh bread and pastries from Paul every morning to our room, brilliant!. Anyway here are the scruffy bread pics, and thanks for the recipe. Cheers, Steve
Thanks, Steve, the crumb of your mini Miche ...
... looks very delicious. It has that translucent quality too, a well fermented piece.
Thanks for showing us the photos.
Shiao-Ping
...... Little or no salt
was used, just a token couple of twists of the mill as I stopped adding salt to my food years ago, I get my quota from snacks and fromage. Yep, the bread was very tasty and very similar to my usual everyday sourdough, which (by chance) uses a similar 2-4 type of flour mix depending on what's in the larder, predominately strong white but with added wholemeal, rye and spelt if I have it, starter is always a rye as it's the only one I have (about 15 months old) Regards, Steve
Thanks for this recipe, Shiao-Ping!
And thanks, too, to MC for bringing Gérard Rubaud and his gorgeous bread to our attention (in my case, through this landmark post of Shiao-Ping's).
I baked this bread for the second time today - on this occasion, two smaller batards as per DMSnyder's version. On removing them from the oven, they crackled at me for 10 minutes! I didn't end up with any notable crazing of the crust, but the flavour was marvellous. No pics, unfortunately, as my old Canon is on the blink.
The first time I baked this bread I did a single batard. You remarked on the great volume you got with your pâte fermentée version, Shiao-Ping, and I have to say I was pretty astounded at the spring I got with this first loaf - and that was using the starter, not a pâte fermentée. Actually, it's the best rise I've ever gotten...the spring literally tore the slash apart! Just wonderful.
I'm thinking of using GB's starter for all my breads from now on. There's something special about that combination and proportion of flours.
I'm also wondering whether that terrific rise is attributable to the lower hydration of this starter - I customarily use either a 100% or 80% hydration starter. Ah, the mysteries, the mysteries...
Yes, I have always have better results with stiff starter than
with liquid starter. (Do yeasts come with a grain of wheat, or with water - you know what I am getting at. In a stiff starter, there is potentially a higher yeast count than in a liquid starter of the same weight.) However, given that this is an overall 80% hydration dough, I would think it's possible that your oven spring was due to a slight under-proof (or at least not over-proof) in your dough, coupled with the fact that you are now more comfortable in handling your dough and reading your dough. Lately I have been researching on the legendary Poilane Miches (Lionel Poilane in particular) and, in general, the real French traditional Pain au Levain. Their doughs are 63 - 65% hydration and their starters are also 63 - 65% hydration because the starters are taken from the last batch of dough (ie. pate fermente). As a relatively junior sourdough baker, I have always believed in higher hydration for more open crumb. But Ross, I believe we can now move on to lower hydration dough and still get a relatively open crumb, but much fuller flavour and more definition in our loaf shape!
Cheers, Shiao-Ping
Very interesting
Very interesting observations, Shiao-Ping. I'd never thought of stiff starters as harbouring more yeast, and therefore having more muscle to lift the dough, but it sure sounds logical to me.
I look very forward to your version of a pain au levain in the authentic lower hydration French style (I have no doubt you'll be featuring that on here very soon!).
I have saved a Polaine recipe courtesy of breadtopia that I've been meaning to try for a while. You've just given me a nudge. Moved to the front of the queue...!
Cheers!
Ross
Poilane miche
Thank you for sharing that Poilane inspired recipe. I haven't seen that before. Thanks. These days I don't surf the net as much as I used to, so I often missed a lot of info. That recipe is of course not the Poilane recipe. Lionel Poilane's website is HERE, and Lionel's elder brother, Max Poilane's website is HERE. Lionel Poilane's miche is slashed with a letter P, while Max Poilane's miche has 4 slashes almost like in a square. I maybe wrong but I believe the scoring of Max Poilane miche is closer to how miches were scored during their father, Pierre Poilane's time. Lionel did the big letter P more to distinguish his miches as more people had started to do this style of bread (I maybe wrong again but there was perhaps no such need during Pierre's time as the latter was the pioneer in returning to the somewhat primordial French bread). The Poilane story is interesting to read and on YouTube there are a lot of video about them.
There seems to be an obsession about Poilane miche among artisan bakers and the issue, it seems to me, is about the flavour of bread. It is a well-known fact that Poilane uses the French T80 flour for their miches (and to be honest I do not know if using 80 - 85% bread flour with 15 - 20% wholewheat flour with bran sifted out would be a good match). I am very tempted to order a Poilane miche air-flown into Australia, but I won't. They may decline the order just the same because if they think the delivery takes more than 48 hours they may decline the order. Lionel was known to say that their miche is best for three days, but I really like my bread on the first day. On the issue of the flavor of bread, I am not convinced that bread made with T80 would have the flavour that I want best. Can we take a vote and see if blonde beauty is what people think the absolute beauty? We know the answer. These things are really individual.
On the other hand, having made a Gerard Rubaud style of miche here, I can begin to picture what a T80 miche must be like - the aroma would no doubt be sensational.
Shiao-Ping
French Flours
Hi Shiao-Ping,
Did you catch this post?
I'm going to have a good read through later; but I thought it may be useful to the discussion you are having here just now.
http://www.thefreshloaf.com/node/16110/baking-la-milanaise-flours
Best wishes
Andy
Yes, I did. Thank you.
My French bread books always have recipes that use "unusual" flours to what I am familiar with but I never paid too much attention to them because I have been busy as it is without the different types of flours. But I guess, as with any art form, in the end you come to a place where you crave the simplest because it is in the simplest that your skill is tested. It was in my Gerard Rubaud miche that I first used the 30%/70% mixed whole grains flours and bread flour combination. The result struck a resonance in me. I am now actually looking forward to be working with T80 (or even T110) flours. As with La Meunerie flour, I am going to see if my friend in Montreal can help out.
Thanks and regards,
Shiao-Ping
Flours @ Shiao-Ping
I agree that there's something magical about the 70:30 bread flour:whole-grain flour ratio! My favourite levain is also a mix of 70% AP flour and 30% whole-grain (25% whole-wheat + 5% whole-rye), and I guess the lightness and openess of the crumb, combined with the full-bodied flavour of wheat and rye, is what strikes a chord in me. Although I haven't tried the Rubaud levain yet, I'm positive it's a formula with the same tasty balance.
I've also wanted to try the real French T55, T65 and T80 flours, if for nothing else than to feel how they are to work with and what flavour they hold. I've never tried them, but used information from this source (click me) to try to "emulate" and combine my own flours to come up with something that's hopefully similar.
If you scroll down to table VIII, you'll see that T80 is labelled as a "light whole-wheat flour". Comparing both extraction rates and ash contents, it seems to me that T80 is closer to the regular whole-wheat flour than it is to AP/bread flour. If I'm not mistaken, Hamelman uses a high-extraction flour with approx. 0.92 ash for his miche, and he suggests substituting something along the lines of 85% whole-wheat flour + 15% bread flour if high-extraction is not available. An 85% WW + 15% bread flour combination appears rather bitter or "earthy" to me... what do you think? Perhaps they key to unlock the Poilane secret is to actually fly a loaf down under... ;-)
Thank you for that link for flour. You are a true researcher.
As for the 85% WW and 15% bread flour combination, I am very confused myself at this stage. When I did my Miche, Pointe-a-Calliere, as I did not have the high extraction flour, I used 86% WW (Hamelman said between 85% and 90% WW is fine). My miche did not taste "bitter or 'earthy' to me..." but that could be because my Australia WW flour. I think when you "try to 'emulate'" and combine your own flours using the information in the study you provided the link for, you will get something close to the specific French style of flour that you are looking for, but not me. That paper is a study of American flours and European/French flours. I cannot assume that my Australian flours are the same as American flours in general. I am now getting quite weary of all the comparisons and academic stuff. I want a true experience, not a virtual one. If I lay my hands on T80 flour would you like some?
On authenticity
Shiao-Ping, I don't understand why you consider your lovely breads a 'virtual experience', rather than a 'true one.' I guess it's because you are making the basis of your comparisons the original versions of the recipes you're trying and want to get as close as possible to 'the authentic.'
While I fully understand the call of the authentic, and answer it whenever I can (in fact, the notion of authenticity informs my entire food philosophy...but here is not the place to expand on that), I think I have a different perception from you on home baking. I find it fascinating that the home baker can emulate classic breads from all over the world - and people like you, who are always trying new breads based on master bakers' famous loaves, give all of us easier access to a wonderful variety of gorgeous home-baked breads.
That, for me, is truly exhilarating! And when just about every time the results are a wonderful flavoursome bread different from any others one has baked previously, I am not the slightest bit bothered about how my version measures up to the original. We all know that every starter is unique, influenced by locale and the flours it is fed, and lends its own qualities and character to the bread it produces, regardless of the precision with which an original recipe is re-created. So, we're never going to exactly replicate another's bread! And viva le difference, I say!
When I try one of your recipes, I hope to turn out a loaf close to yours in crumb quality and flavour, but I know it will not be exact, and that's not an issue for me in any way, because I'm not trying to replicate your bread. I never try to match your presentation, for example, for two reasons: firstly, I'm not technically capable and don't care to put time into developing stencil skills and the like, and secondly, all my cooking tends to be a bit on the rustic side...it's just not my style to put energy into exquisite presentation. But it is your style! And your style stands out and sets your posts apart - your style, not the styles of the master bakers you're basing your breads on.
I don't even care about flour variations. What we get in Australia is different from elsewhere - fine! It's like wines: different locales produce different qualities in the wine, regardless of the grapes used. Aussies wines are almost always going to be more dominant in fruit tones than their French counterparts, but does that make them inferior? Not necessarily!
I realise that analogy is not exact, since you're concerned with the impact on your bread of flour variations, whereas Chardonnay grapes used in Australia came from France originally, so any difference in the wines produced are a function of growing conditions and technique.
However, what about the notion that local wine producers have evolved a new style of wine out of our different growing conditions? The result: an AUTHENTIC Australian style of wines, which at its best has won accolades globally and largely contributed both to New World wine production and to changing wine-producing techniques in France!
So, in summary, my point is this: why try to do the impossible and replicate a style of bread that has evolved out of a particular region, when you are already creating tremendous bread using local flours? Many years, and sometimes generations of knowledge, have gone into the prototypes on which you're basing breads such as that featured in this thread. It is wondrous that you are turning out loaves that look - and no doubt taste - so brilliant, from your home oven, using local flours...and have been baking bread less than a year, if I recall correctly! What's inauthentic about that?
I respectfully suggest that a new perspective is required here, not expensive imported flour...
Cheers!
Ross
PS: Rather than importing a bread from France that is doubtless going to be in less than prime condition when it reaches you - at huge expense, not only in terms of dollars but also considering the horrendous carbon footprint involved - why not plan a holiday to Europe and sample the real thing in the place of origin? Now that's an authentic bread experience in my book!
G'day, rossnroller!
There is a famous story in Buddhism: A monk came to a river that separated him from the other shore where he wanted to be. He found himself a "fa," a few planks of wood bound together, that enabled him to get across. Because the "fa" had saved his life, the monk carried it on his shoulder wherever he went and did not want to part with it. The "fa" had become a burden for his life. He no longer needed it, but he was still bound by it.
I really didn't explain myself when I said that "I want a true experience, not a virtual one." That was a hasty remark. Indeed as you indicated, every bread we make is an "authentic" piece of work and true of us and our experience to have made the bread, even when we were just copying some formula. We all know we do not need to use French flours to create good bread. But there is no reason not to use it at least once. The world has so much to offer, we don't need to restrict ourselves. And if we want to try something new, it is not because so we can keep it. We experience something new so we can go beyond it.
In order not to be bound by it, I need first to learn it and experience it - not second hand, or with substitutes. The fact that substitutes may turn out to be the same or better or worse is beside the point.
I do like your perspective (and your holiday suggestion - my daughter and I are planning exactly that). Let me say I respectfully thank you for your comment!
Have a good one!
Shiao-Ping
Hiya again, Shiao-Ping!
Can't quite work out the relevance of that Buddhism parable here - too many possible interpretations! - but no matter.
Now that you've clarified, I see that your position is actually less extreme than it appeared to me.
I understand and empathise with your wanting to 'go beyond' the known and try new experiences in a bread baking context, including using French flour. And I would also be curious as to the differences in outcome.
I should add that I moaned and whinged for years about the lack of quality in the commercially available breads here in comparison to Germany, where - as I think I've mentioned before - I spent a year in the mid 80s and discovered great bread for the first time. I ended up concluding that our flour is inferior, which seems weird since we're one of the great wheat exporting countries...but nothing else made sense. Not then. Now I am aware of the vast difference technique can make, and thankfully, sourdough has caught on in a big way here and will surely only grow from here. The bread scene is looking promising indeed.
Your planned trip sounds fabulous - would love to do the same. In the meantime, as you are probably aware, there are some bakers downunder that are attracting global acclaim for their sourdough breads: Baker D Chiroco, in St Kilda, Melbourne, for example. Just a quick flight from where you are...and fares are currently cheap enough to make a weekend bread raid viable - economically, at least! Just a bit too far from Perth, though, unfortunately.
Cheers
Ross
for Hansjoakim asnd Shiao-Ping
I wanted to dedicate this to the fine people who I worked with in Kent in the South-East of England.
They regularly catch the Chunnel over to France, and are going on "flour runs" to make their lovely breads.
I'm so enjoying your discussion about French flours, ash content, and trying to use regular American [and UK, for that matter] flours to create a similar, and appropriate mix.
I must say, the proportions you come up with, seem very appealing to me.
I have had major problems adding this to my blog; you can find it here for now: http://www.thefreshloaf.com/node/16151/working-french-flour When it's sorted, it should appear on my blog: http://www.thefreshloaf.com/blog/ananda
I think it's there now!!
I have all the photos from my last student practical; we made demi baguettes and brown tinned breads from local flours, and ciabatta and foccaccia with wet doughs from my favourite source. I will post these as soon as possible.
Best wishes
Andy
Here's my attempt from yesterday...
I have to say that this is the most amazing bread that I have ever baked! Also, I did go through the trouble of grinding my own whole grains to make up the 30%.
Here's my grinder which I got a few days ago. It's the same one that Gerard uses...
The organic grains that I used...
Here's the link to my blog post here on TFL with my method: http://www.thefreshloaf.com/node/16211/city-boy-tries-make-g%C3%A9rard-rubaud-miche
Tim
What a great looking speciment!
Thank you for sharing your great results with us here.
Shiao-Ping
A question regarding pate fermentee......
well, first off, your loaves are gorgeous, shiao-ping! which is why i am currently attmpting to make this bread myself. i was just wondering about the pate fermentee-how quickly would i need to use it in a bread? i am only planning on making one miche this weekend( we are still chomping on some bread i made the beginning of the week) and i can't see myself getting to another try(provided this one works out well) until the middle or end of next week-will it keep until then?
thanks for sharing your great bread -what beauty!
christina
Christina
Thanks for your comment. I don't think you want to wait too long. I would say inside of three days in the fridge, then when you want to use it, bring it back to room temperature before you use it.
In case you are interested-
In case you are interested- here are the results of my bake
http://www.thefreshloaf.com/node/16663/newbie-question-preshaping-and-shaping#comment-108221
and i totally chickened out on the pate fermentee- by the time my dough was ready to go into the fridge i was so tired that finding a suitable container for the pate fermentee was too much for me and i nixed the idea. next time.........
christina
advantages/disadvantages of a proof box
Fantastic looking crumb.....makes me wish I had smell o' vision
I do believe this will be my next baking project.
I have a quick question though. Currently, I'm finishing an internship with a local bakery, so I have access to a proof box and was wondering if it would be advantagious to ferment each build in it to reduce down time? Or would it be better to let each build slowly ferment @ room temp, or even set each build in the fridge to retard overnight?
Also, would kneading (S&F) by hand produce a better looking and more open crumb than using a mixer?
Many Thanks,
TheBlueBean
HI TheBlueBean
I am sure a proof box will help "regulate" things in the sense that if your starter behaviour is predictable, the proof box will make each build go as planned. But, and I think this is a big BUT, you don't know how your starter culture will react to the new four combination that you are feeding it, so you're kinda in the same situation as was I when I was doing mine.
You see in my post I showed that my starter took less and less time progressively each build to get to 2 1/2 time risen at my then room temperature of 30 degree C. You might want to read back MC's original post to see what room temperature Gerard has (I think it's around 21 - 24 degree C, depending on the seasons). Say if you set your proof box to 24 C, for the first build, you will have to watch how long your starter takes to reach about 2 1/2 times risen. Then, for the second and third build, you will have to watch again. Once you've done this bread once, and assuming you are happy with it, the next time you can just set your proof box to that temperature and time frame..., otherwise you'll still need to tweak it, but the second time round it would be easier than the first....
One comment that I got from Gerard via MC is that he said I didn't put tiny amount of salt in my second and third builds of levain and, as a result, the levain had fermented faster than would be optimal in that a slower fermentation would have allowed more flavour acids to develop.
On the subject of open crumb, yes, hand kneading is in general better than machine mixing, and I have found, no kneading at all, just doing letter-folds, is even better!! Hard to imagin how a few letter-folds would be enough to build up gluten structure, isn't it? You'll have to try it to believe it.
Let us know how you go.
Shiao-Ping
Letter-folds
I second Shiao-Ping's letter-fold recommendation. So effortless, so effective.
The only doughs the technique doesn't work brilliantly on, in my experience, are stiff low-hydration ones (like bagel dough, for example - you've got to knead that, although only briefly x 2 for the recipe I use). Oh, and some high hydration doughs, like my SD pizza dough, are better 'air-kneaded' (slapped down repeatedly on the bench). Otherwise, S&F all the way.
Cheers
Ross
double letter-folds for dough strength
I had gone off on letter-folds for a while and had been doing stretch and folds in the mixing bowl sort of thing. Recently I've found in fact the double letter-folds is far more effective than S&F's in the bowl. I think the reason is, in a double letter-folds, the gluten structure is kinda like being "inter-locked" from all directors of the dough, whereas S&F's in the mixing bowl are more or less one-directional. Even if I took the trouble of turning the dough over at the end of the S&F's, the tension thus created when I touched the surface of the dough was not as strong as that on the surface of a dough that has just been double letter-folded. Isn't that interesting.
I think for high hydration dough, I would dust plenty of flour on the work bench before I tip the dough out. I would stick my hand underneath the centre of the dough to make sure that the dough is completely flattened out before any letter-folding.
A BIt More On S&Fs
Agree again, Shiao-Ping. For a while, I also started doing S&Fs in the mixing bowl (out of laziness as much as anything), and as you say, it is nowhere near as effective generally speaking. I now empty the dough into a lightly oiled 10L oblong plastic container with a lid and do all the S&Fs in there. Very convenient to just put the lid back on between folds, and when appropriate retard in the fridge overnight in the container. I do lay plastic lightly over the dough though, to prevent drying out.
And yes, also agree with flouring the bench well before shaping high-hydration doughs. (I find S&Fs of these doughs in the oiled plastic container easy enough as long as one's hands are wet).
For the SD pizza dough I referred to, though, I use the slap technique because I've found it better for faster gluten development (which is necessary with this dough), and it's a good way to incorporate a tablespoon of olive oil into the dough while simultaneously keeping the pretty wet dough easily manageable and avoiding sticking.
S&F 30 stokes
I was inspired by your posting and chose this as a project bread for the Artisan breadmaking course I'm taking. Very nicely done. I'm pretty new at this, but having a blast. The miche tasted good but thankfully i have several weeks to try to improve on it before presenting in class.
Can you explain the "Five sets of S&F's of 30 strokes each "..I did five sets of stretch and fold (four folds) with 30 minutes between. I a bit confused by 30 strokes each
the pics are from my weak first attempt. Had a bit of a Turtle Head blowout on the one and made deeper scores on the other
Thanks, Ian
S&F in the bowl
Hi, Ian.
Here are a couple links that explain this technique - one in words, the other in video:
http://www.thefreshloaf.com/node/10682/mystery-page-249-solved”
http://www.thefreshloaf.com/node/10276/noknead-video
I hope this helps.
David
Stretch-and-folds in the mixing bowl
Thank you, David, for chipping in.
Ian, the way I did my stretches and folds was that after I hand-mixed all the ingredients with a 20 minutes rest (autolyse):
(1) With my left hand holding the bowl, my right hand went under the bottom of the dough and grabbed a corner of it, stretched it up (no more than 10 -12 cm high), then folded it onto itself. This is what I called one stroke.
(2) My left hand then turned the bowl a fraction, so my right hand could grab another corner of the dough, and repeat the motion..., i.e., second stroke.
(3) I did 30 strokes, but in fact two - three revolution of the bowl would be sufficient (each revolution about 6 - 8 strokes).
Some tips about the strokes:
(a) You cannot tear the dough. If ever you see that the skin of the dough is tearing, that means you are doing too much.
(b) You don't want to be just stroking the surface of the dough; you want to sort of bury your hand under the dough a bit and grab a piece up that way.
(c) At the end of each set, I find if I take the whole dough out, oil the mixing bowl, then place the dough back, it makes the next set of S&F really easy - the dough seems to come together as one whole piece easier. (Just to confuse the matter a bit, I find if I place the dough back up-side-down, more strength is developed faster that way. This means it is important to remember to flip the dough over for the next set of S&F.)
You said you do four folds. I assume that is 2 x letter folds. I think that is a very good way of building dough strength.
Great effort, Ian.
Shiao-Ping
stoked
Shiao-Ping,
Thank you so much for your quick response and clear explaination. I love the technique and can't wait to try it. Yes, I was using a letter type stretch and fold on the bench, slight oiled bowl, put in upside down and then one flip so smooth side up. verry stong gluten bonds. Method i was using was basically one i had seen in a Ciril Hitz video. Makes total sense now.... I'm hoping it's one of the keys to your magnificant translucent crumb.
David,
thanks for the links...I dont have the Jeffrey Hammelman but we use it in class and have made some of his breads.... nice technique explanation. The video was also very helpful.
great stuff,
Ian
stoked?
More about double letter-folds
Hi Ian
I didn't want to say too much at first in case I confuse you. I have since found that double letter folds (ie, your 4 folds method) work better than strech and folds in the mixing bowl in terms of building dough strength. People who do the S&F in the bowl method like the method because it is hassle free - no work bench to clean, etc. But I think double letter folds method is superior because the dough is locked from all directions. Some people place the dough in a big oiled rectangular plastic container when doing the double letter folding. But I like doing it on the work bench so that I can dust flour on the work top (when the dough has high hydration) and also so that I can easily place my hands under the dough to smooth out (even out) the dough before folding it up. Instead of flouring the work bench, some people lightly oil the work bench.
Another alternative:
I use a lightly oiled 10L oblong plastic container and find that by wetting my hands under the tap just before S&Fing, I can easily get them under the dough without any sticking. I prefer this method because it avoids adding extra flour (which I find can occasionally show up in streaks in the finished bread) and does away with any between-folds cleaning up.
I do drape a food-grade plastic bag lightly over the dough while resting, though, as well as putting the lid of the plastic container back on - this avoids any drying out of the dough surface.
Hydration
I am still a novice, progressively trying more challenging breads. I studied Shiao-Ping's notes carefully and then created a spreadsheet with of all Builds and timing for each step, each S&F, everything. One thing I noticed was that the hydration level was higher than any recipe I had ever followed, so I added to my xls model a hydration factor. With that, I could then vary not only the amount of flour but also the hydration level and everything adjusts. But this first time, I wanted to follow the formula precisely as Shiao-Ping so artfully laid it out for us.
Guess what... it was a mess. The rise was fine but when I turned out the dough, it just spread out, an oozy blob. There wasn't much I could do at that point so I proceeded to bake. I did get a nice little rise in the oven and the final result was flavorful, but this was nothing like the pictures I see here. I mean the concept of "shaping" the dough in my case was a joke -- how do you shape goo?
On my next attempt, I could easily drop the total hydration down to 70% or 60% or whatever but I must have missed something and I fear I will never know by making this adjustment. I mean, the formula works but not the way I am doing it. Could it be my S&F's? The flour I use (mostly KA)? The weather (it was cool and raining a little)? A slight adjustment for the weather would be one thing but this was not a slight mistake.
So please, I would appreciate any thoughts.
Jim
How did it become a "goo" and how do you shape "goo"?
I am sorry that the formula or the method did not work for you. I went back to my procedure and ingredient list. What I can suggest is the following:
(1) The flour: my plain flour is Australia's Kialla organic plain flour; if memory serves me right, that particular batch of flour had 13.6% in protein. Your KA flour is 11.7% (+/- 0.2%) protein. My flour is more thirsty and is able to absorb more water than yours. Perhaps 72% would have been plenty for you.
In formal bread making classes, they often advise participants to hold back 10 - 12% of recipe water for untried formulas and flours. Gerard Rubaud's hydration is 80% (+/- 2%). I know my flour can take 80% hydration. But I really should have cautioned people. Some European flours are quite low in gluten and they often think we (the New World bakers) are being macho talking about high hydration. But it really comes down to the difference in flours.
Okay, say you hold back 10 - 12% formula water, how are you to know how much is enough? You need to pinch your dough to feel the "consistency" of your dough. With Gerard Rubaud miche, what we are looking for is "soft to medium" consistency. For an example, the dough consistency of a ciabatta is "soft" (super high hydration), and the dough consistency of a normal Pain au Levain is "medium." So, the GR miche is in between.
(2) The stretch and folds: I know I wrote (and did) "five sets of S&F's of 30 strokes each at 30 minute intervals" but I now would question if that is not too many stretch and flods for your flour. Too many S&F's might have caused your gluten to break down and that might be why your dough was like "goo" (felt very, very wet and totally unmanageable). Excessive kneading (or stretch and folds, same thing) will cause gluten to break down. More is not better. If ever we see the skin of the dough tearing, that means we have gone too far. Even though my procedure reads 5 sets of 30 strokes each, you may not need all 30 strokes, or indeed, not all 5 sets. But, how are we to tell how many are enough? You see, the purpose of S&F is to build up dough strength while fermentation is happening. If when S&F is due but your dough feels "tight" (ie, won't stretch easily when you try to stretch it), that means your dough is strong enough and that it doesn't need more S&F as yet!! If you try to stretch it, you would just tear the skin.
That said, I cannot be sure if that was your case. The reason is you did say your dough felt very wet and normally wet dough needs more kneading (S&F) for dough strength. (With drier dough, gluten strength happens faster.)
(3) Ample dusting of flour to assist in handling the dough: Say you have come to the end of your bulk dough cycle, you cannot reverse whatever has been done and you are left with a "goo," as you said. To manage your shaping, you can dust plenty of flour on your dough as well as where the dough meets the side of the bowl, then, use a plastic scraper and scrape the dough out onto a flour dusted work bench. Then, try to shape by minimalist handling - the more you handle the dough, the more the dough becomes wet and hard to manage. What I do is:
(a) fold the mess over by half (a deeper fold makes the shaping tighter);
(b) pat excess flour off;
(c) fold the dough over again by half and pat any excess flour off; then
(d) swiftly with two hands, shape the dough into a miche/boule. I would pay attention to where the right side is and make sure it is on top. I would also think clearly how I am going to do it before I actually tackle. The more you are hesitant, the more the dough is going to feel lumpy and wet. Thankfully, once the shaped dough is retarded in the fridge, it hardens up and is easier to score.
That is all I can say. Hope this is some help to you.
Shiao-Ping
Wow, Shiao-Ping, I am
Wow, Shiao-Ping, I am overwhelmed by the generosity of your thoughtful response. It's all a learning experience and at least this was not so bad a turnout that we could not enjoy it... my wife rejected my suggestion that we give a hunk to a friend who liked my last batch.
So I am ready to go at it again next weekend. I will make adjustments along the lines you suggested and will let you know how it turns out.
Thank you so much.
Jim
NYC
About overnight retardation
Hi Shiao-Ping. When do you put your dough in the oven relative to removing from the refrigerator? Is it based on time, temperature, rise?
Also, do you think that retardation at earlier stages could be used without adverse impact? Being a weekend baker, I would love to get this bread on the table a little earlier in the weekend.
Thanks again,
Jim
NYC
The best formula for building max. crumb flavour
that I have ever come across, and that was developed by Johnny of the Australian bread site, Sourdough Companion, is a formula which involves refrigeration of the bulk dough (or, what you called, retardation at earlier stage) AND retardation at the proofing stage when the dough is shaped.
Hi Jim at NYC
You might want to check out Johnny's awesome formulas here:
(1) Ciabatta Integrale; and
(2) Rolled Oat & Apple Bread.
Like you, Johnny is a weekend baker. He bakes enough for a whole week for him and his wife (children have left home). He starts his process on Wednesday night after work (refreshing his starter), and he bakes on Saturday morning. I have just posted my Home Bread on Sourdough Companion, which also mentions about Johnny's formulas.
You asked me when I place my dough from the refrigerator into the oven to bake. I bake my dough cold, straight out of the fridge. I discussed why in my Home Bread post.
Shiao-Ping